Aurora Martinez is the perfect example of an empowered woman who managed to create a name for herself from her career as a director. Martínez’s films are produced almost exclusively in Mexico, with dialogue in Spanish and marketed to the Latin American population. Although her productions receive virtually no theatrical release in the United States, they can be found in many U.S. video outlets, both in VHS and DVD format. Martínez’s movies are generally in the action genre, concentrating on such staple themes as feuds between drug traffickers, illegal trade in human organs, and police investigations, and thus they are not of a kind that normally attracts the attention of foreign film critics. The two facts aforesaid likely explain why she is virtually unknown in the English-speaking world, despite her highly prolific output. Martínez appears on screen in many of her movies, though almost never in a leading role. She has often cast Mario Almada in leading roles including, Tijuana, ciudad de narcos in 1998. Her movies tend to portray extreme, explicit violence.
  Bachelor Party
  Todo personal
  The Mirror's Reflection
  La muerte del judicial
  Pueblo sin leyes
  Me anda buscando la ley por traficante de drogas
  Herencia Homicida
  Ahogado el niño se tapa el pozo
  Ellas asesinas
  Esa hembra es mala
  La zorra millonaria
  Seeing Double
  Muerto el perro se acabo la rabia
  Traición con traición se paga
  La fuga del penal de Apatzingán
  Son tus perjúmenes mujer
  Death Dealers
  El regreso de Camelia la Chicana
  Por un vestido de novia
  Día de los muertos
  Por tu maldito dinero
  Las 4 bellas del norte
  Monjas narcotraficantes II
  El fantasma de la coca
  Un Asesinato Perfecto
  La Revancha del Heroe Silencioso
  El héroe silencioso
  El tesoro de las brujas
  Vengarse matando
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