From Wikipedia, the free encyclopedia Carole Lombard (born Jane Alice Peters, October 6, 1908 – January 16, 1942) was an American film actress. She was particularly noted for her energetic, often off-beat roles in the screwball comedies of the 1930s. She was the highest-paid star in Hollywood in the late 1930s. She was the third wife of actor Clark Gable. Lombard was born into a wealthy family in Fort Wayne, Indiana, but was raised in Los Angeles by her single mother. At 12, she was recruited by the film director Allan Dwan and made her screen debut in A Perfect Crime (1921). Eager to become an actress, she signed a contract with the Fox Film Corporation at age 16, but mainly played bit parts. She was dropped by Fox after a car accident left a scar on her face. Lombard appeared in 15 short comedies for Mack Sennett between 1927 and 1929, and then began appearing in feature films such as High Voltage and The Racketeer. After a successful appearance in The Arizona Kid (1930), she was signed to a contract with Paramount Pictures. Paramount quickly began casting Lombard as a leading lady, primarily in drama films. Her profile increased when she married William Powell in 1931, but the couple divorced after two years. A turning point in Lombard's career came when she starred in Howard Hawks' pioneering screwball comedy Twentieth Century (1934). The actress found her niche in this genre, and continued to appear in films such as Hands Across the Table (1935) (forming a popular partnership with Fred MacMurray), My Man Godfrey (1936), for which she was nominated for the Academy Award for Best Actress, and Nothing Sacred (1937). At this time, Lombard married "the King of Hollywood", Clark Gable, and the supercouple gained much attention from the media. Keen to win an Oscar, at the end of the decade, Lombard began to move towards more serious roles. Unsuccessful in this aim, she returned to comedy in Alfred Hitchcock's Mr. & Mrs. Smith (1941) and Ernst Lubitsch's To Be or Not to Be (1942)—her final film role. Lombard's career was cut short when she died at the age of 33 in an airplane crash on Mount Potosi, Nevada while returning from a war bond tour. Today, she is remembered as one of the definitive actresses of the screwball comedy genre and American comedy, and ranks among the American Film Institute's greatest female stars of classic Hollywood cinema.
  To Be or Not to Be
  Mr. & Mrs. Smith
  Twentieth Century
  The Princess Comes Across
  Hands Across the Table
  In Name Only
  We're Not Dressing
  My Man Godfrey
  No Man of Her Own
  Nothing Sacred
  Normandie ne partira pas ce soir
  Yesterday and Today
  A Perfect Crime
  Made for Each Other
  Gold and the Girl
  Hearts and Spurs
  Marriage in Transit
  Gold Digger of Weepah
  The Girl from Everywhere
  The Bicycle Flirt
  The Divine Sinner
  The Swim Princess
  Smith's Restaurant
  Motorboat Mamas
  The Girl from Nowhere
  Hubby's Weekend Trip
  Don't Get Jealous
  Ned McCobb's Daughter
  Lady by Choice
  Showbiz Goes to War
  Now and Forever
  Sinners in the Sun
  The Eagle and the Hawk
  They Knew What They Wanted
  Virtue
  The Racketeer
  Swing High, Swing Low
  Man of the World
  Supernatural
  The Campus Vamp
  True Confession
  High Voltage
  Love Before Breakfast
  It Pays to Advertise
  The Campus Carmen
  Matchmaking Mamma
  Big News
  Vigil in the Night
  From Hell to Heaven
  Fools for Scandal
  Oops, Those Hollywood Bloopers!
  White Woman
  Safety in Numbers
  Bolero
  Brief Moment
  Hollywood Out-takes and Rare Footage
  Run, Girl, Run
  No More Orchids
  No One Man
  The Gay Bride
  Screen Snapshots (Series 22, No. 10)
  Fast and Loose
  Ladies' Man
  Going Hollywood: The '30s
  Smith's Army Life
  Show Folks
  Smith's Pony
  Durand of the Bad Lands
  Pretty Ladies
  Up Pops the Devil
  The Beach Club
  Anthony Quinn: An Original
  Carole Lombard
  Rumba
  The Arizona Kid
  The Fashion Side of Hollywood
  The Fighting Eagle
  That's Entertainment! III
  I Take This Woman
  My Best Girl
  Breakdowns of 1938
  Brother, Can You Spare a Dime?
  Ben-Hur: A Tale of the Christ
  William Powell: A True Gentleman
  The Making of a Legend: Gone with the Wind
  Hollywood Goes to Town
  Power
  His Unlucky Night
  The Golden Age of Comedy
  The Best Man
  The Big Parade of Comedy
  Dick Turpin
  The Road to Glory
  Me, Gangster
  The Plastic Age
  The Johnstown Flood
  Dear Mr. Gable
  Gold Heels
  Gable: The King Remembered
  Motorboat Mamas
  The Love Story of Jean Harlow and William Powell
  Hollywood on Parade No. A-12
  Bob Hope's World of Comedy
  Two Tragic Blondes - Marilyn Monroe And Jean Harlow
  Death In Hollywood
  Hollywood: The Selznick Years
  British Pathé Newsreels: Gone with the Wind
  1939: Secrets of Hollywood's Golden Year
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