Chantal Anne Akerman (June 6, 1950 – October 5, 2015) was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975). Despite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, "when people say there is a feminist film language, it is like saying there is only one way for women to express themselves". Instead, Akerman acknowledged that her cinematic approach took inspiration from the writings of Gilles Deleuze and Felix Guattari, as well as from filmmakers Michael Snow and Jean-Luc Godard. Many directors have cited Akerman's directorial style as an influence on their work. Kelly Reichardt, Gus Van Sant, and Sofia Coppola have noted their exploration of filming in real time as a tribute to Akerman.
  Blow Up My Town
  Sieben Frauen, sieben Sünden
  Je Tu Il Elle
  News from Home
  Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles
  La chambre
  She Spent So Many Hours Under the Sun Lamps
  Pictures of Europe
  Chantal Akerman, From Here
  Guest
  Chantal Akerman: An Interview
  Knokke: Une petite fiction 2
  Autour de La Folie Almayer
  Chantal Akerman by Chantal Akerman
  No Home Movie
  The Man with the Suitcase
  Porto
  I Don't Belong Anywhere: The Cinema of Chantal Akerman
  L'inhumaine
  Tell Me
  The Ministries of Art
  What Is Cinema?
  Chantal Akerman: Always on the Road
  Family Business
  The Day When...
  My Name is Chantal Akerman
  Making of Tomorrow We Move
  The Beloved Child, or I Play at Being a Married Woman
  What Lies Beneath the Sky
  Around Jeanne Dielman
  Birth of a Nation
  Letter from a Filmmaker: Chantal Akerman
  Down There
  ‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen
  But Elsewhere Is Always Better
  Maniac Summer
  De droomproducenten
  Chantal Akerman
  Portrait of a Lazy Woman
  Mallet-Stevens Street
  Interview with Aurore Clément
  Interview with Babette Mangolte
  Interview with my Mother, Natalia Akerman
  My Mother Laughs Prelude
  Delphine and Carole
  One Day Pina Asked...
  The Art of Time
  Son chant
  Examen d'entrée INSAS
  From the Other Side
  Calling the Shots
  On Belonging
  Untitled
  In Her Own Words
  Morceaux de Cannes
  Chantal Akerman, an autobiography
  Les Rendez-vous du dimanche
  Grands mères
  Ciné regards
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